Greene & Greene in Context

Some people may remember the exquisite furniture in The Huntington’s permanent exhibition about Arts and Crafts masters Charles Sumner Greene and Henry Mather Greene. The space was just reinstalled and the take-home message is clear: The Greenes did much more than simply produce gorgeous furniture. Arriving in Pasadena, Calif., in … Continue reading

Mementos of Downton

If you’re one of the millions of people who watched the British period drama “Downton Abbey,” you might be craving a juicy story about a lord or lady right about now. “Downton” led viewers on a rollercoaster ride as the titled Crawley family—and their (mostly) faithful staff—navigated the emotional waters … Continue reading

The Flowering of Color Printing

In “The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920”—the exhibition on view in The Huntington’s MaryLou and George Boone Gallery through May 9—you can catch a glimpse of a 19th-century innovation that brightened the visual culture of the age: color lithography, or stone printing in multiple inks. Examples … Continue reading

Evolution of a Van Dyck

A major U.S. exhibition on Flemish master portrait artist Anthony van Dyck (1599–1641) opens today at New York’s Frick Collection. The Huntington has its own van Dyck story to tell. At its center is the artist’s beautiful full-length painting Anne (Killigrew) Kirke (ca. 1637), showing its subject lavishly attired in a … Continue reading

For Neophiles, Aesthetes, and People Who Like to Eat

Surprise! There are 11 new acquisitions on view in one room in the Virginia Steele Scott Galleries of American Art right now. That’s great news for neophiles, and even greater news for fans of representational art from the mid-20th century. Plus, there are stylish modern silver and ceramic works. If … Continue reading

Looking at Loved Ones

The Huntington is rightfully known for its collection of British portraits. Most of these are the product of a professional association between artist and client. For example, Thomas Gainsborough’s dazzling full-length portrait of Elizabeth Beaufoy (circa 1780), on view in the Thornton Portrait Gallery, is a flattering image of wealth … Continue reading